Winter Poetry

The Menzingers – The Bars

This list (which may repeat some poems I posted on here) is a compilation of 10 semi-edited poems I submitted during my winter term intro to poetry course. I hope you enjoy some of them.

 

Shade Is His Enemy:

I watched a lizard for about an hour;

He didn’t move.

I watched the same lizard for another hour;

He didn’t move

I looked at the weeds next to him growing;

Casting shad to the side of him.

Soon he’d have to move.

The shad is his enemy.

Move damn you.

Move!

He didn’t move.

The sun set.

He didn’t move.

 

We’ll Make Sure of That:

A couple lovable leeches

Jealous of Jeff because he reaches the best leaves–

And it’s only after adulthood that we stop believing violets are blue

And start saying like, “fuck,”

And “I’m the one that’s blue.”

What a waste of talent;

Like Planet of The Apes,

But with no apes.

 

Poison Abalone:

That’s how this radiation story begins

With the Illuminati and a tiger religion.

All handing out lion infusions

Like nobody would notice the minerals of emotion in North Korea’s water.

It’s a devil evaluation by unknown politicians.

Where Hollywood dragons travel block to block, shielding prostitutes.

And God cursed these devils with evil rickets and lonely hearts.

Daisy and I danced to the shitty music,

At the moment it was rather magnetic, I agreed.

And my poor, fragile, deltoid felt like jigsaw fangs under my dress coat.

The tip of fragile slug looked like panties slopped with placenta.

We ignored the prayers emanating from paper cars

And shoveled Haas avocados down the throats of sharks.

That was the year the sun shut off its glow.

 

Crabs:

The figure rose from somewhere unseen

Dimming moonlight from on the precipice

Climbed and clawed its way to me

Eating,

Stuffing its mouth with dead fish

I knew it wasn’t,

But it had to be.

And the gangrenous tendrils wrapped

Its shredded loose-leaf material around

The grasped claws with dead fish trapped

Buried it within the confines

Deeper and deeper into the ground.

The garbage, by such a creep, given grief

On which the same has grown

And the melted wall’s dissolved mush

Flooded the lung, as the creep crawled on.

 

13 Ways of Looking at Life:

  1. A rooster illusion
    On the horned back thorns of a dinosaur
  2. That boys got the devil in him
    Lobotomy
  3. Commercialism at its finest
    Socio-economic trends
  4. Coordinated furs make for perfect animal pairs
  5. Go ahead and substitute me
    With your newfound abundance of grief
  6. Steered ships with arthritic hands!
    Powered a lighthouse for the blind
  7. Gentlemen dressed in rags
    Spent all our free time at the wishing wells
    Muttered well wishes to wish everybody well
  8. She smiled at me, but her teeth were black
    I gritted mine and managed a smile back
  9. Laid in the dirt with the bodies and the worms
  10. Placed my hands on the hide
    Felt the trembling in my chest
  11. The fighting pit was no longer fun
  12. Continue burning the candles
    At both ends
  13. Keep cutting your teeth
    C’est La Vie

 

A Bond as Strong as Steal:

A gathering of pork skins

and a murder of crows,

where heroes go to die young.

Sheep wool strangling a child,

a bond as strong as steel

the likes of which might steal your heart.

Or steal a steely look at your bride,

yours, the one you love,

the one you’d die for.

The one you got high and left

because she slept with your best friend

your most well-dressed friend.

The friend you protected

in the car crash that took you,

the car crash that separated you and your wife.

 

A Hero’s Welcome:

a dog destined for destruction

well-equipped and armed

dressed to the nines with nails and narcotics

ready to riddle the enemy

tagged to the wall and medicated

strong enough to be forgotten

but weak enough to never forget.

 

River of Life:

River of life, run through me

Unhindered, teach me to breathe

Dear river, I feel it.

Finally free

To find a field to fester in

Forgiven, never forgotten

For, given the freedom, families fall apart

And friendships ferment,

In foil frozen.

Forest of fire, give life freely

Because it is I that stands at the end

I alone and soon I’ll find it.

A place to hand my hat and my skin

For I saved my money, but it won’t save

Me

Sleeping with serpents,

Sacrificing suffrage for sustenance,

Suffering in similar pitches but softer sounds

Suffering sweetly to save face.

 

Hear Me Out:

Lend me your ear!

Or at least give me a hand.

I don’t have a leg of my own to stand on.

I’m more willing to speak about things in public

Than I am to partake in public speaking.

You’d think as my metaphorical ship sinks,

That I’d try to find land. Nope.

Here I go, down with it.

I am the captain now.

And you haven’t lived until you’ve sat through class

Or work still stoned from the edible you had the

Night before AND on a microdose that you thought

Would ease you out of the marijuana high but just

Intensified the lingering effects and drew it out

Over about nine hours or so.

A banana hammock is just a relaxed monkey.

 

Whiter Shade of Pale:

Stare at the corner table.

Notice all the books on its surface.

Did you really notice ALL the books?

Look at the vibrancy of the ones on the top of the stacks,

The ones that, by deduction, you know get picked up

More often than the others.

The ones that are drab and white and grey.

They like attention, too.

Go over, grab one of those drab looking fellas.

Like that book, I imagine, you often feel drab and white and grey.

You wait for that one brief fleeting moment to feel vibrant like

All the other books on the stacks on that table in the corner.

You feel as important.

At some point, you lost your color, though.

Somebody got ahold of you and showed you things.

Like where to cut and edit and develop.

Handed you a brush, sent you to the printer,

And glossed over the vibrancy.

And now here you are.

Half-finished.

Drab and white and grey.

13 Ways Of Looking At Life (A Poem)

The Chariot – David de la Hoz (this song is not for the faint of heart)

1. A rooster illusion
On the horned back thorns of a dinosaur

2. That boys got the devil in him
Lobotomy

3. Commercialism at its finest
Socio-economic trends

4. Coordinated furs make for perfect animal pairs

5. Go ahead and substitute me
With your new found abundance of grief

6. Steered ships with arthritic hands!
Powered a lighthouse for the blind

7. Gentlemen dressed in rags
Spent all our free time at the wishing wells
Muttered well wishes to wish everybody well

8. She smiled at me but her teeth were black
I gritted mine and managed a smile back

9. Laid in the dirt with the bodies and the worms

10. Placed my hands on the hide
Felt the trembling in my chest

11. The fighting pit was no longer fun

12. Continue burning the candles
At both ends

13. Keep cutting your teeth
C’est La Vie

I Am… (A Poem)

I am the outgroup. The snake oil peddler. The different, the derogatory, the non-conformist. The Impersonator. “Psycho Jack,” the schizoid, the anxious, the believably split personalities.

The one that can’t fit into your skin.

The dissociated, the chastised, the rubber ducky, bath time, bedtime, dinner time.

The dream sequence. Inception. Leonardo DiCaprio and da Vinci.

The Illuminati. The world leaders. The strange. The unknown, off his rocker, the gentleman.

The Alaskan Bull Worm, Bikini Bottoms. The starfish and the sponge.

Your neighbor, Bob. I am Robert; I am Richard; I am Dick if you see it that way.

The douchebag at the gym. The gym bag full of douches. The girl with the guns. The gun show.

The debate over gun control, the controlled repetition.

I am the rapper, the rock star, the rapist. The big red.

The FDA, the DEA, LSD, PCP, the USA, the UK, the A-K.

The bullets, the caskets, And Everything In Between.

 

The Ocean and Me

Cage The Elephant – Cold Cold Cold

If you read Fake Fan: A Short Story, you would have noticed that the main character was afraid of the ocean. It was an important part of the story development, but it was true of its author as well.

That’s right, folks. I am deathly afraid of the ocean, and really any water I cannot see through to the bottom. It sort of makes me laugh, though; if you were to ask me what I was afraid of the ONLY thing I would claim is water.

I’ve stood outside gazing up at funnel clouds wondering where the tornado was going to hit; I’ve experienced deep earthquakes; I’ve seen lightning cut through a giant tree not 100 feet away; I’ve dealt with all sorts of weaponry during my time in the military; rattlesnakes; giant spiders; scorpions; bulls; nothing compares to the amount of fear that wells up inside my chest when I think of deep, dark, murky waters, whether lake, river, or ocean.

I’m currently working on a short story titled Where The Sea Separates, and I began to notice this underlying theme of aquatic settings. This new short story deals with a child-like (the main character is a child) fear of the unknown. In a lot of ways, I think this is my subconscious way of dealing with my fears on a shallow level.

I recently saw a post on Facebook, it was about 6 minutes long or so. Normally, I don’t sit through such long videos. But it was all about a personal idol–you may know him, Jim Carrey.

This video, Jim Carrey: I Needed Color, spoke heavy words to me. It made me sit back and analyze what it is to be an artist (of any type, not just painting as he is in the video). The highs and lows of getting something right or wrong with

images-2.jpegyour work. Trying new techniques to get people to focus on the subject matter, to make them think and feel and understand what the artist feels, it is all so heavy. He talks about facing his loneliness and using his art as an outlet but that even bright vibrant colors become dull to his eyes. Just as in my work, if I use a word I like too often it becomes mundane. Played out.

He goes on to describe how paintings of Jesus are some of his favorite. He speaks of his relationship with a higher being almost nonchalant. A friend of Unknown.jpegmine described it as a modernist’s view on religion. He speaks much about allowing people to peer into the eyes of Jesus through his paintings and recognize they aren’t alone but even he never claims a religion, just that he feels very passionately about the idea of Jesus.

I myself am agnostic but the main focus for me was that painting, or in my case writing, about what you feel your psyche NEEDS to express is important. I’ve always been told to “write what you know,” as I’m sure any serious writer (and some not so serious writers) have also been told. So, if I am so terrified of the water then I must be incredible at describing the feeling of this fear.

I’ve come to the conclusion that writing about water is most likely going to be an underlying theme to many of my works. I am excited to think of dealing with my fear through my favorite activity and I hope I deliver the way I know the subject matter can. Maybe someday I’ll get in a shark cage and submerge myself deep out at sea… art is a dangerous thing.